المسار المهني
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Co-author of *The International Style* (1932) and founding head of MoMA's architecture department before turning architect himself with the Glass House (1949). Crossed every twentieth-century stylistic line — late-Mies modernist, the AT&T Building's broken-pediment postmodernism (1984), the Lipstick Building, the late deconstructivist works.
الإرث والتأثير
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The first Pritzker laureate (1979). His curatorial influence at MoMA — picking Mies, then later Gehry and Eisenman — arguably exceeded his own designs.
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